How Many Bikes Are You Riding?

Lately I've been testing and experimenting with many bikes, and some have asked which ones I ride on a regular basis. Or do I ride a different one every day? Well, definitely not that. Despite a penchant for accumulating temporary and permanent bicycles, I prefer to ride the same ones over and over, and the fewer the better. The rotation changes, but the pattern has been three bikes at a time. Now that it's the hottest part of the summer, I've been riding the mixte for transportation, as well as a roadbike and a touring bike for sporty rides. As the cold season approaches I will start riding the mixte less and my hardy 3-speeds more. For roadcycling I will probably switch to a fixed gear as the days grow shorter, because it packs more punch into shorter rides. But all in all, it's pretty much no more than three bikes at a time for me, one of which is always a fully equipped transportation bike.

Giving this some more thought, I can see how I arrived at experimenting with multiple bikes. I don't drive, so every time I leave the house to do anything it is on a bike. But I don't have a consistent commute either, instead traveling between different places numerous times a day. The destinations vary, the distances vary, even the terrain varies. And that's all just for transportation. Add an interest in touring and roadcycling to the mix, and it's easy to see how things can get out of hand!

How many bikes do you have in rotation at a time? Do you enjoy switching from one bike to another, or are you a creature of habit who prefers to stick with the same one(s)?

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Basket 2.0

What luck I have. Beset by medical and dental problems simultaneously, the past few days have left me drained. We went for a super slow ride on Saturday, but even that was difficult to manage in my drugged up, diminished lung capacity state. But when we passed Cambridge Bicycle I knew there was one thing that could make me feel better. A basket. Of course. What better cure for life's woes?

I have been eying this particular basket for months, and finally she is mine! It is made by the Peterboro Basket Company in New Hampshire, out of locally harvested White Ash. I think the model is this one. This basket is small, boxy, with a rectangular footprint, and it does not taper from top to bottom - which was exactly the style I wanted for this bicycle.

I refer to this as Basket 2.0, because I did not get along that well with the large wicker basket on my formerly-owned Pashley, and eventually removed it. This time around I looked for attributes that I hope will work for me.

For one thing, the Peterboro basket is fairly small, with a low profile and sides that don't stick out too far. It is also feather-light, made of such thin slivers of Ash that it almost feels like Balsa wood. Finally, we attached it directly to a front rack and not to handlebars, which minimises its impact on steering. Though the basket came with leather straps and metal buckles, we removed these and fastened it to the rack with zip ties. The straps and buckles were heavier than the basket itself, so doing this really made it weightless, as well as eliminated any potential jiggling. Cambridge Bicycle were nice enough to give us a handful of zip ties and some wire cutters, and we installed the basket right outside the shop in a matter of minutes.

When the basket is empty, I cannot feel it on the bike at all. It does not cause the wheel to flop to the side when the bike is parked.

It also leaves the frontmost tip of the tire unobscured, so that I can still see it while cycling. When a huge basket obscures the entire front wheel, I have a harder time feeling connected to the steering, but this is not an issue here.

When the basket is full, the weight feels well distributed and does not interfere with either steering or balance. With dimensions of 10.25" x 7" x 7" it is not meant to carry large objects; I have a rear rack and panniers for that. But the squat, boxy shape allows it to accommodate more stuff than you might think. As pictured above, the basket contains a huge portion of smoked salmon, a bucket of cream cheese, an economy pack of cheese sticks, a blueberry encrusted "goat cheese log," and a flower bouquet. There is room for more.

Since I am now using the mixte predominantly as a transportation bike, I wanted to maximise its utility as such. This basket provides a useful space for a jacket, camera, small handbag, or even a quick grocery store purchase, without impacting handling or (to my eye at least) marring the looks of the bike. The Co-Habitant wasn't too crazy about the look at first, but it grew on him. What do you think? What front-mounted basket systems have you used on your bikes, and have they ultimately worked for you? The difference between this set-up and the large, handlebar-mounted basket I used to have on the Pashley Princess is like night and day.

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'Off Label' Use

In pharmacological jargon, the term "off label use" refers to a treatment being used successfully for something other than it was originally formulated for. And that's kind of how I am starting to feel about my Royal H. mixte. When I asked Bryan to build me this bike in the Fall of 2009, I envisioned it as predominantly for light touring. However, in practice I mostly use the mixte as a long-distance transportation bike. I think I've only gone or recreational rides on it a total of maybe three times, whereas I ride it for transportation whenever I need to travel over 7 miles or so one way - which is several times a week.

Using a bike for purposes other than intended when we first buy it can happen for any number of reasons. For instance, our cycling preferences can change, as mine did. I no longer see touring on an upright bicycle as desirable, and prefer to ride a diamond frame bike with drop bars when going on those kinds of rides. Also, life circumstances can change. Just a couple of months after I got the mixte, we ended up without a car, and I actually needed a light, easy long-distance transportation bike. When I was ordering the bike, I did not foresee either of these changes.

The good thing about using the mixte "off label," is that most of the things that made it good for light touring also make it work as a long distance transportation bike. The frame allows me to wear a skirt. It can handle hills and distances without me breaking a sweat. Its compact size and maneuverable handling make it good in the sort of suburban stripmall-roadish traffic that I usually encounter out of town. The springy ride quality means that long trips don't tire me out.  The 35mm tires are sufficiently wide for bad roads and even off-road. The dynamo lighting system is fantastic and I never have to worry about getting stuck in the middle of nowhere in the dark. The front and rear racks enable me to carry several small loads at a time. Everything that I need for my trips is there. The few times I've tried to use a roadbike for long distance transportation, I arrive to my destination out of breath and with sweaty hair. On the upright mixte I am a bit slower, but am always presentable and fresh.

There are however a few things that are less than ideal about the mixte given how I use it. The short chainstays made it difficult to find panniers that did not give me heelstrike, though I did find several after having made a mission of it (see Philosophy, Cristobal, and the Po-Campo pictured here). But the more irksome issue is that I get a wee bit of toe overlap on this bike, which freaks me out when cycling in traffic. It is a very small amount of toe overlap that would disappear if I wore PowerGrips or removed the fenders - but neither of those is practical on an upright transportation bicycle. Converting the bike to 650B would solve the problem, but would be quite expensive, given that I'd have to get new wheels built, and buy a new set of brakes, as well as new tires and fenders. So I am kind of stuck between thinking that the toe overlap is not a big deal and the bike is fine as is, and being irritated with it, since it is the one thing that undermines my enjoyment of an otherwise fantastically versatile bicycle.

Lots of bikes are used off-label round these parts, and the prevalence of this practice made me smile last night when a carbon fiber racing bike flew by with a sizable steel front basket attached to the fork, sort of like this. My re-purposing of the mixte is not nearly as dramatic, but the question of a possible 650B conversion keeps swirling around my mind every time I ride the bike. Would you do it, or leave it be? Any interesting off-label use stories of your own to share?

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On Living Locally and Seeking Continuity

I was having a political discussion with a friend over email, and in response to something I wrote he replied: "You know, it's really starting to show that you haven't been out of the US in almost a year." Ouch... But the "insult" aside, I realised he was correct: I haven't been out of the country since last July, which is unusual for me. Moreover, we have been without a car since December, making our travel radius limited to cycleable distances. Without explicitly being aware of it, I have transitioned from living "globally" to living "locally," and my friend's insinuation was that this has made me narrow-minded and provincial. Has it? I think not, but I also realise that I don't really care. My quality of life has improved as a result of the changes I've made since last year, and that's difficult to argue with.

We could go on forever debating the "moral" and "social responsibility" implications of living locally vs globally. On the one hand, those who lead lifestyles that rely on air travel are doing a great deal of damage to the environment. On the other hand, one could argue that some international jobs are "important" in their contribution to society, and the scale of this contribution outweighs the degree of environmental damage. But the trouble with these arguments, is that they inevitably lead us to a slippery slope. Who determines what's important? Who has the right to pass that judgment on others, and using what criteria? Are UN workers "good," but fashion reporters "evil"?  Is it "wrong to endanger the environment" by traveling to Shanghai just for fun, or is that outweighed by the positive effect of experiencing another culture, growing more tolerant and open-minded as a result? Impossible to say, without imposing our subjective sense of logic on others' sovereignty, which is not something I wish to do.

But the issue of living locally vs globally has personal, psychological implications as well, and these have been on my mind lately. I have an unusual personal history, and have basically never lived in any one place for more than several years at a time. As a result, my life has been fragmented and unstable, which I do not feel is ultimately good for me. When I remember things from my past, I sometimes get confused about the location of an event, and even about the language that was spoken. With my friends, relatives, experiences and memories scattered all over the world, it is difficult to maintain a sense of continuity and even a coherent sense of self. Forming healthy attachments to new people and places is challenging, and replacing the physical reality of personal interaction with virtual communications is isolating.

As we lose our sense of "continuous living," our notions of contact grow increasingly abstract - and not just contact with other people, but contact with our surroundings. I remember a post by Dottie at Let's Go Ride a Bike some time ago, where she describes the lifestyle of her family in the North Carolina suburbs as "traveling from pod to pod." The home is a pod. The workplace is another pod. The restaurant, also a pod. And because of the vast, highway-navigated distances between each, there is no clear sense of what happens in between; it is kind of a dead space, almost a virtual space. I found this imagery to be both frightening and relatable - a reflection of my own anxieties about what our lifestyles are doing to the way we connect with the physical world.

I thought that I might feel limited and stir-crazy once I stopped traveling abroad, and even more so once we began living without a car. Instead I am feeling as if some long-neglected human aspect of me is waking up. Living locally and all that it entails - seeing the same people, experiencing the change of seasons while staying put, and developing a feel for manageable distances - is giving me a sense of continuity that I have been lacking.

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Every Month Is 'Bike Month'

With so many press releases for "Bike Month" events circulating as May approaches, I am starting to feel like a real grouch deleting them or replying "No thank you." But I have to stand by what I believe, or else where would I be? And I believe the idea of "bike month" to be damaging to the very thing it aims to achieve - which is making cycling accessible to the non-cycling population. It seems to me, that the nature of the event, as well as the tone of the promotional materials that accompany it [note: link added 4.23.2011], reinforce, rather than dispel the notion of cycling as something out of the ordinary - an activity reserved for special occasions and organised events.

Granted, "Bike Month" has a festive ring to it that may increase the immediate visibility of cycling. But, as someone with professional experience in the psychology of marketing, I question whether the results are ultimately positive. After all, how useful is this increase in visibility if all it does is reinforce the "cycling = a once-in-a-while activity" or "cycling = weird fringe subculture" associations that the non-cycling public already holds?

It is my view, that in order for cycling to be accessible to the general population, it needs to be normalised and depoliticised.  "Anybody who wants to ride a bike can do so any time they like," is the only message I see as being productive. You do not need to wear special clothing. You do not need to wait for a special month. You do not need to be "community oriented," athletic, health-minded, or an environmentalist. And you do not need official propaganda to tell you it's "good for you," accompanied by paradoxical instructions that make the whole thing sound complicated and dangerous.

Cycling is not a cult, political group, or evangelical religion that requires recruitment events with free food and trinkets. Every month is 'bike month.'

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Two Years Older, Not Much Wiser!

Though I missed it last year, this time around I remembered: April 4th, 2009 was the date of the first Lovely Bicycle post. Since then I've acquired a few bikes, learned a great deal in the process, and improved my cycling skills by about a thousandfold. I have also aged two years and learned to levitate. Honestly, levitation is not that difficult compared to learning to ride a roadbike.

In my quest to penetrate the mysteries of The Bicycle, one thing I understand quite clearly is that I still don't know much about bikes, and won't any time soon. I am not trying to be humble or self-deprecating: I mean it, and I don't think it's a bad thing. I have been fortunate enough to speak with quite a few framebuilders over the past two years, and they all have something different to say about frame design and construction. Some have very concrete theories about which geometry, tubing, etc. work best, and can explain why in great detail. Other builders just shrug and say, "I have no idea why the bikes I make ride well. All that trail and angles stuff is nonsense and there is more than one way to skin a cat." The builders with the best reputations and most coveted bicycles fall into both categories, and if saying "I don't know" is good enough for some of my favourite builders, then surely there is no shame in it.

I am not suggesting that the making of bicycles is some mystical thing that we mere mortals can never hope to grasp. But the more I learn, the more I realise that there are just so many contributing factors to how any given bicycle handles, that it is exceptionally difficult to generalise. In fact, the safest and most reliable way to make a great bike I've heard framebuilders describe, is copying the geometry of their favourite vintage bike, then experimenting with minor modifications. After all, frame geometry is "open source" and anybody who knows how to take measurements correctly can use it: Why not make what you already know works?  If contemporary manufacturers wanted to, they could all be producing vintage Raleigh Sports replicas in Taiwanese factories, which would ride much nicer than most modern commuter bicycles sold in bikeshops today. Why don't they then?.. That's something I haven't yet figured out either.

So there we have it: I don't know much, but that does not stop my continued interest in bicycles and cycling. One of the things I try to do on this blog, is to maintain a space where those who are new to bicycles can learn interesting things without feeling intimidated by industry jargon or by those who appear to be more knowledgable: Curiosity and openness are enough to enjoy cycling. Thank you for all the support I receive from you in its many forms: engaging discussions in the comments and over email, useful advice, shared information, trades for spare bicycle parts, donations for give-aways, and sponsorship. Thank you for reading, as I continue to share my mystified observations in year three of Lovely Bicycle!

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(elk)Hide I Seek

I get lots of questions about what handlebar tape I use on my mixte, so I've taken some close-ups. It's actually not tape at all, but elkhide sew-on city grips from Velo Orange. From a user's viewpoint, these are probably my favourite things to put on upright handlebars, because they feel the most comfortable to grip: not too hard and not to soft, just right. However, from an installer's viewpoint, they are kind of a pain to sew on and it takes forever. I've put them on two of my bicycles so far (the Royal H. and the Gazelle), each time thinking "never again!" while doing it. And yet, they are so comfortable, that I've just ordered another set.

The reason my elkhide grips look like bartape in pictures, is that I do have a layer of cloth tape installed underneath the leather. Doing this provides extra padding without making the gripping surface too soft. And the texture of the cloth tape printing through the leather feels ergonomic to my hands.

My grips are "espresso," to match my brown Brooks B72. When you first get these, they are kind of a dusty brick colour and don't match the Brooks brown at all - but they do once treated with Proofide (just install them first, then the Proofide).

As for the installation process... Let's just say lots of profanity was involved both times I sewed these on. VO recommends doing a 2-needle baseball cross-stitch, which is utterly foreign to me. After a half hour of unsuccessfully trying to figure out the instructions and undoing some very ugly sewing, I gave up and used my own stitch, which has held up pretty well since last September. Elkhide is a soft, almost buttery leather that weathers nicely and adapts to the shape of your grip - especially if you install it over a layer or cloth tape. Overall I find that it's worth it, despite the not-so-fun installation.

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Handlebar Hoopla, What Now?

My Royal H Mixte is almost built up, save for the fenders, racks and lights. I don't want to post glamour shots before the bike is completed, but let's just say it has some unusual features! The build has been slow, but more or less trouble-free so far... until we ran into an unexpected glitch with the handlebar setup.

My idea for this bicycle was to install VO Porteur handlebars with Silver bar-end shifters and Guidonnet brake levers.  In theory this seemed like a good plan, but in practice several things have gone awry...

First, the stem length we thought would work (6cm) is apparently too short, because when I lower the bars down to where I want them, the bar-ends overlap too much with my knee if I sharply turn the handlebars while the pedal is in the up position. So we had to exchange the stem, and thankfully the shop that sold it to us was willing to do that. We are now installing a 10cm stem and will see whether that eliminates the overlap.

But the bigger problem is the Guidonnet brake levers themselves. They look fantastically French and provide plenty of braking power, but I find their placement awkward.

As you can see in the pictures, the Guidonnets are shaped like a pair of short rod-brake levers. They are installed in such a way, that their curve is meant to follow the curve of the handlebars. And because the Porteur bars are quite narrow, my hands end up in a position that is too close to the stem when braking - which I find suboptimal in its effect on the bicycle's handling.

{Edited to add: I have now test-ridden the bicycle with these brake levers extensively. When going over 12mph, the handling in this position stabilizes; slower than that it is somewhat shaky. It is basically a very aggressive position close to the stem, similar to the "fixie grip". The levers are good if you want a  bike with swept-back bars to handle aggressively in city traffic. The levers are not so good if you don't.}

As you can see here, the Guidonnet levers don't allow you to brake from the upright position on the handlebars, but make you lean forward and move your hands closer to the stem. I find it counter-intuitive to brake in an aggressive position and shift in a relaxed position; should it not be the other way around?  I will test ride the bike some more once we install the longer stem, but I suspect that I might have to admit that the Guidonnets were a mistake - which leaves the question of what to do instead.

[image via Reinassance Bicycles and ecovelo]

One possibility would be to install inverse brake levers (which I already have lying around) and fit the Silver shifters into a set of Paul's Thumbies handlebar mounts, as Renaissance Bicycles has done on the build shown above.  I have never seen Silver shifters mounted on the handlebars before, only the (considerably less classic-looking) Shimanos. Having spoken to Bryan from Renaissance about it, I learned that he has rigged up a system to make the Silver set-up possible, and I am considering emulating it.  The problem is, that the Co-Habitant is vehemently against this plan: He insists that placing the shifters on the handlebars would "cheapen a high end bike". I understand what he means, but I disagree when it comes to the Renaissance method involving the Silver shifters; I think it looks surprisingly elegant. Honest opinions?

The alternative solution would be to get rid of the Porteur bars and take the Albatross bars from Marianne - installing them in the same upside-down manner, only with bar-end shifters and with the entire bar wrapped. I could do it, though I was really looking forward to having the Porteur bars on this bicycle. Maybe there are other possibilities I am missing? I would like for this bicycle to retain a vintage French look, which I feel is better achieved with the Porteurs than with the upside-down Albatross. Suggestions welcome!

{Edited to add: the Guidonnet levers have now been sold; thanks for your inquiries!}

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Colour Me Smitten

My mixte frame has finally returned from Providence, so to speak, and we went to Royal H. Cycles last night to look at it. Now that I've seen it in person, I almost wish I didn't post those pictures earlier: it looks much better than the images. Not that the pictures aren't beautiful - it's just that the bicycle, including the colour, is even nicer in person, and for some reason it is very difficult to photograph.

This image is not representative either, but in person the frame colour is a mesmerising blend of gray, green and slate blue. It is more green than blue, and it is more gray than either. Not a flat boring gray, but a "stormy seas" sort of gray, with infinite depth of colour to it.

Looking at this snapshot of the beach in South Boston, I realise that the frame colour and the lug outlining are similar to the colours of the sea and sand in New England - which is probably what attracted me to the early René Herse aesthetic to begin with.

I will stop now before I begin composing sonnets for this frame, but as you can see, this is true love! And the bonus? The Co-Habitant, who would previously mutter that he does not need a custom frame, took one look at the finished mixte and said that he might like a matching men's touring bike. There is hope that our "his and hers" velo universe will be restored!

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Lovely Details and Elegant Solutions

The paint on my mixte is finished and Circle A. has emailed me some pictures - so allow me to share my ecstasy. And since I can't just say "yippy, isn't this pretty?" over and over, I will attempt to maintain a coherent narrative. What I feel is really special about the frame Royal H. made for me - aside from it being a lugged mixte with twin lateral stays in an age when these are no longer made - are all the little details that Bryan added.

Behold the lugged brake bridge (is that the correct term?)

...and the custom cut-outs on the flat-top fork crown (which accommodates a 35mm tire, with fenders!)

...and little braze-ons all over with even littler cut-outs

...and these unusual "bullet"-style rear stay connectors that add visual interest to the seat cluster and (to me at least) communicate the idea of speed

...and the uniquest, biggest deal of all: the custom drop-out sockets. For those to whom this picture means nothing, let me explain: See those three adorable little lugged thingies? Well, that adorableness is not standard on this part of a bicycle. Normally, this area looks like this. See how the three stays on my Motobecane transition directly to the dropouts without the cute sockets? Not as nice! Furthermore, while a frame maker can buy these sockets for diamond frame bicycles (which have only 2 stays that need to go into the sockets), the part simply does not exist in a mixte version, which would require an extra socket to accommodate the third stay. So what did Bryan do? He made the part himself out of several existing sockets! Bravo, non? Seriously, I can't believe he did this. We are pretty sure there is no other mixte frame out there with socket dropouts.

Finally, for those who enjoy seeing elegant solutions to practical problems, I present this. What is this, you ask? It is Bryan's beautiful alternative to a traditional kickstand plate. When we were discussing the frame build, I told him right away that I planned to put a kickstand on this bicycle and would like a kickstand plate. Bryan agreed that this was necessary, as bolting a kickstand directly to the frame can ruin the paint and dent the tubes. However, he confessed to me that he did not really care for the look of kickstand plates (read about them here), and asked whether I would trust him to find an alternative solution.

The alternative solution he came up with was this: two subtle stainless steel platforms directly on the chainstays. Not only are they harmoniously incorporated into the frame design, but they are unpainted stainless steel - eliminating the danger of any paint being chipped by the kickstand setup. Ah the genius of it.

Here are some more details of the frame, like this mixte upper head lug, split to accommodate the twin stays. On my Motobecane the part where the stays come out is not lugged, so this is really a visual feast for me - as is everything about this frame really.

Well, I get emotionally exhausted if I look at these pictures for too long, so I better end here. Get a custom frame from Royal H. Cycles - they are glorious!

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Royal H. Mixte Logos

Some of you have asked what the decals on my Royal H. mixte will look like, and I now have pictures. But there won't actually be any decals: the logos are being painted (stenciled) by hand, by Circle A in Providence, RI. I chose these designs out of many that were available, because I thought the aesthetic would suit my bicycle very nicely.

So this is what the downtube logo will look like:


And this is what the headtube logo will look like:

The image may seem a little strange in .jpg form, but on an actual head tube it looks ridiculously beautiful - like an expressionist woodblock print. I remember stopping in my tracks the first time I saw this design on another Royal H. bike, and thinking "I want THAT". Eventually I will get a headbadge made and attach it over the logo, but for now it will be painted. (Meanwhile, if you are a headbadge maker, do drop me a line - especially if you are local.)

The logos will be done in a dark gold (more like a bronze or copper) over the sage green frame. Circle A warned me that there won't be a great deal of contrast between the frame colour and the logos, but that is fine with me; I am not going for a contrasty look. The lug cutouts (or "windows", if you will) will be painted the same gold as the logos, and I've also asked Circle A to do the lug outlining. I can do it myself, but their work will no doubt be nicer, plus it will match the other gold detailing exactly. Here is an example of a fancy outlining job they've done on another bike, but mine will be a toned down version.

So there it is. I think the paint and logos are done at this point and they are working on the lug outlining. I haven't seen pictures of the painted frame yet, but I am sure it's gorgeous. The anticipation is killing me!

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